Mac Miller made hip-hop, but he was more than a rapper – he was the architect and the construction worker. Mac is a firm member of our dual-discipline series “Beats & Bars” because of his overlooked career as Larry Fisherman, erecting the structure of his music before filling it with the words that helped define a generation. MacBarry: My subjects know that they can only get the foot of the control board and Congress lifted from their necks by turning against me. Once they do, federal riches will flow to the kingdom again. Explore the world of Mac. Check out MacBook Pro, iMac Pro, MacBook Air, iMac, and more. Visit the Apple site to learn, buy, and get support. Macbery Junior Expectorant Syrup is used for Cough, Chest congestion, Colds, Asthma, Constriction of airways, Thickened mucus cough, Acute and chronic bronchopulmonary diseases associated with abnormal mucus secretion, Inflammation of the lung, Lungs inflammation, Acute sore throat and other conditions. Macbery Junior Expectorant Syrup may also be used for purposes not listed in this medication guide. The following were among the principal families in Ireland, from the English invasion thereof down to the end of the reign of King Henry VIII.: among them being the names of some of the old Irish Proprietors who remained in possession of their ancient estates; or, who were transplanted to other parts of Ireland.—F.
| Born | Barry Leonard Graham Reay-Mackey 8 January 1906 |
|---|---|
| Died | 12 December 1985 (aged 79) Chelsea, London, England, U.K. |
| Occupation | Actor |
| Years active | 1933–1955 |
| Spouse(s) | Natalie Hall |
Barry MacKay (8 January 1906 – 12 December 1985) was a British actor.[1][2]
He was most prominently seen in light comedic roles in the British cinema of the 1930s and is perhaps best known as Jessie Matthews' leading man in Evergreen (1934), Gangway (1937) and Sailing Along (1938).[3] On Stage he performed at the Comedy Theatre, London, in the Green Room Rags of 2 December 1934; opposite Ann Todd in the sketch Every Twenty Thousand Years.
Other notable roles include Lieutenant Somerville in Brown on Resolution (1935) and as Fred, Scrooge's nephew, in MGM's film A Christmas Carol (1938), the latter being one of two films he made in the US; the other was the lead role in a B-picture, Smuggled Cargo (1939).[2] After these films and serving in the Canadian navy during WW II, followed by stage work, there was a long gap in his film career until he reappeared as a character actor in the 1950s, making his last film (Timeslip a.k.a. The Atomic Man ) in 1955.[3][4]
Barry also appeared in the 1954 Sheldon Reynolds produced Sherlock Holmes television series.[5] He portrayed Reggie 'Sardines' Taunton in episode 17; 'The Case of the Laughing Mummy'.[6]
Filmography[edit]
| Year | Film | Role | Notes |
|---|---|---|---|
| 1933 | The 1002nd Night | Ganem | Film debut, Voice |
| 1934 | Evergreen | Tommy Thompson | |
| Passing Shadows | Jim Lawrence | ||
| The Private Life of Don Juan | Rodrigo | ||
| Forbidden Territory | Michael Farringdon | ||
| 1935 | Oh, Daddy! | Jimmy Ellison | |
| Me and Marlborough | Dick Welch | ||
| The Private Secretary | Douglas Cattermole | ||
| Brown on Resolution | Lieutenant Somerville | ||
| 1937 | The Great Barrier | Steve | |
| Glamorous Night | Anthony Allan | ||
| Gangway | Bob Deering | ||
| Who Killed John Savage? | Anthony Benedict | ||
| 1938 | Sailing Along | Steve Barnes | |
| A Christmas Carol | Fred | ||
| 1939 | Smuggled Cargo | Gerry Clayton | |
| 1952 | The Pickwick Papers | Mr. Snubbins | |
| 1953 | Grand National Night | Sergeant Gibson | |
| Knights of the Round Table | Green Knight's Squire | Uncredited | |
| 1955 | Orders are Orders | R. S. M. Benson | |
| Sherlock Holmes | Reggie Taunton | Episode: The Case of the Laughing Mummy | |
| Timeslip | Inspector Hammond | Final film, Uncredited |
References[edit]
- ^'Barry MacKay'. IMDb.
- ^ ab'Barry Mackay'.
- ^ abMcFarlane, Brian; Slide, Anthony (14 August 2017). The Encyclopedia of British Film: Fourth Edition. Oxford University Press. ISBN9780719091391 – via Google Books.
- ^'Barry Mackay'. TVGuide.com.
- ^'Sherlock Holmes (1954) (a Titles & Air Dates Guide)'. epguides.com.
- ^'The Case of the Laughing Mummy (1955)'.
External links[edit]
- Barry MacKay on IMDb
- Barry MacKay at Allmovie
Barry Mack, (born in San Francisco, CA, U.S.), is an American painter, printmaker, and author who creates with a bold, expressive style. His work first received critical notice by art critic Richard Speer, who is currently working with the Sam Francis Foundation on a new catalog .
Mack became known for synergizing imagery from a variety of traditional and contemporary sources including Relational Aesthetics, Action Painting and Lyrical Abstraction.
Mack’s art has expressed a profusion of sources and inspirational influences which continue to evolve in step with the contemporary zeitgeist driven by the social and political forces of cultural anxiety, art market explosion, environmental uncertainty and a subconscious desire for global unity. He has created work on a variety of surfaces and unconventional media such as wood, fabric, metallic paper, aluminum, house paint, oil over acrylic and printers’ ink. Every imaginable technique is explored, including pour, spray, drip, thrown, splash, sponged, brushed and hand applied paint in service of a single-minded vision.
Mack grew up in Portland, Oregon and studied art at Portland University, Marylhurst University and the Oregon Art Institute. He launched a career as a professional artist after perfecting his expertise with digital technologies in the graphic arts industry.
He became known for his deep exploration of styles and techniques to express insight from a breakthrough experienced during a revelation in the 1980’s.
His developing aesthetic was influenced by the metaphysical ideas influencing artists documented in Roger Lipsey’s comprehensive history of contemporary art titled AN ART OF OUR OWN.
Mack’s work is an ongoing relational representation of an internal culture, informed by the contemporary and historical references, international pop culture, social and political concerns.
In 1970, at the age of 18 Mack created an exact replica of Goya’s “The Colossus” to express his concern with the global experience of war pervading the late 60’s. Challenging the idea of creating with a personalized style, Mack’s work is about our shared experience through the lens of contemporary culture.
Mack’s early surrealism, influenced by Dali was an expression of the anxiety ridden, dream-like unconsciousness in modern times. His move to computer generated imagery and “digital art” in the 90’s, had its roots in the increasingly pervasive mix of technology with graphic design, exploring and questioning mythical and religious themes for their current validity.
Mack’s critically acclaimed work hangs in private collections in New York, Los Angeles, San Francisco, Chicago, Boston, Miami, Dallas, Santa Fe, Portland, Duluth, Canada, Italy, Uruguay, Australia and Nepal. Corporate collections include the Beverly Hall Corporation, Meriwether Group and Schnitzer Steel in New York. His works have been exhibited throughout the US, in Europe and in Australia.
Mack’s life is documented in his active social media presence since 2011 with an online following over 80,000.
Working in Manhattan & East Hampton, New York, Barry works with Dealers, Galleries, Advisors, Collectors, Designers et al.
POWER OF PAINTING
People feel it, communicating subconsciously.
Collectors, dealers, advisors et al, are passionate about Art for a reason. Talent and genius reflects our world with priceless insight.
A masterpiece generates energy that grows with time.
Art is a property of our global wealth and shines forever.
Traveling through the past, present and future, the world of Art constantly fuels the thrill of inspiration in every generation.
Our experience gives Art a way to communicate what is real.
Art explores powerful forms of social progress, political balance and environmental urgency.
ART AS DIALOGUE
Viewing Art, we discover unconscious worlds within. Through the Pure Experience of abstract visual languages, Art allows a dialogue for Awareness.
Through critical analysis and commercial exposure, Art creates momentum as an industry and source for civil metamorphosis. We participate in this process through Art.
Our aesthetic experience lives through Art and contributes to our shared evolution. Art connects us, frees the imagination and ignites creativity.
BOOK & MOVIES ABOUT ART:
BOOM: Mad Money and Mega Dealers
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About Macbarry Mac Os
To learn more about working with us for your specific interests, email Barry@BarryMackArt.com